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WHSTE IS THS MICER LOGIC PRO 7 PRO
WHSTE IS THS MICER LOGIC PRO 7 PROFESSIONAL

WHSTE IS THS MICER LOGIC PRO 7 PRO

There are two variations of this workflow, depending on if you would rather print your mix onto an audio track in your Pro Tools session or if you would prefer to bounce the final mix to disk. You can even map a MIDI controller to change presets in the SoundID Reference plugin ( Read about that here). change the preset in your SoundID Reference plugin when you switch monitors. insert different instances of SoundID Reference on your Monitor Aux, 3. If you have more than one set of studio monitors that you would like to correct with SoundID Reference, you can solve that a few ways: 1. I simply mute and unmute the Aux that you want to listen to when changing from headphones to monitor listening. The Aux channel called “Phones” feeds my headphones with the correct signal for them. In my setup (see image below) the Aux channel called “Monitors” feeds my speakers with the appropriate SoundID Reference correction profile. Don’t worry if your interface sends the same signal to both the speakers and headphone amp, there is an easy solution for that, too. The speakers are fed from output A1-2 of my interface and my headphone amp is fed from output A5-6 of my interface. In Pro Tools sessions, I set up a stereo master fader and I want to be able to monitor with one set of studio speakers and one set of headphones. Depending on your DAW, various routing schemes can optimize the signal flow with these concerns in mind. It’s also nice to have a fool-proof workflow that does not necessitate bypassing the SoundID Reference plugin during the final bounce. Let’s take a look at some routing options for various DAWs that will allow you to quickly switch between monitor calibration profiles. Each of these scenarios requires a different corrective equalization curve from Reference. You may even have multiple sets of speakers for reference. Your perception of stereo imaging and mix balances will differ between headphones and speakers, so it is important to get a sense of how a mix sounds in both contexts. If you are like me, you’ll want to listen to your mix through both your headphones and your reference monitors to get a broad perspective on your mix. Monitors must be measured in your studio space to create their correction profile. The SoundID Reference plugin provides built-in correction profiles for hundreds of headphone models. Every DAW provides some good routing solutions, and some DAWs (like Cubase Pro) provide a dedicated monitor routing section for this exact reason. You do not want corrective equalization to be printed to the mix-the correction is only for your monitor system.

Depending on your DAW and your routing setup, you may have to remember to bypass the SoundID Reference plugin before you bounce your mix.

SoundID Reference should be the last plugin that the audio passes through before it’s sent to your monitors.

So your mix would go through the DAW plugin and your reference tracks (coming from your computer) would play through the Reference app. If you are playing reference tracks from another program on your computer through your interface, you will want to use the Reference app, which applies the necessary corrective equalization to the audio output of your computer, as opposed to your DAW output only. If you’ve imported reference tracks into your DAW, there should be no problem.

Be sure that your mix and any reference tracks that you are comparing your mix against are all either routed through the SoundID Reference plugin or the app.

There are three issues that are crucial to remember when using the SoundID Reference plugin: Remember that Sonarworks provides built-in profiles for hundreds of headphone models, but for monitor speakers, you must measure your room with SoundID Reference and the Sonarworks calibrated measurement microphone. Let’s assume that you are familiar with how Reference’s calibration works and that you have already configured correction profiles for your headphones and reference monitors. That is why the corrective equalization applied by SoundID Reference is essential and should be integrated into your workflow and setup.Įach DAW and your particular workflow requires a slightly different setup of SoundID Reference, so this article will cover some specific setup tips for a few different scenarios, like monitoring with SoundID Reference and tips for printing or bouncing your mixes.

WHSTE IS THS MICER LOGIC PRO 7 PROFESSIONAL

A flat and trustable frequency response is required by all audio engineers in professional studio spaces and home project studios alike. If your goal is to create a mix that translates well to as many listening situations as possible, you need to have an accurate monitor system, whether it be a pair of headphones or studio monitors in a treated studio space. If you are reading this article, you are undoubtedly already aware of the benefits of using Sonarworks SoundID Reference to compensate for the irregular or colored frequency responses inherent in most listening environments.